![sound siphon vs loopback sound siphon vs loopback](http://www.drinkingcup.net/wp-content/uploads/Soda-Siphon-1024x682.jpg)
- #Sound siphon vs loopback how to
- #Sound siphon vs loopback pro
- #Sound siphon vs loopback software
- #Sound siphon vs loopback trial
In this case (which has only been once so far… but once is enough) I was saved by the backup recording made in Hindenburg Journalist Pro, since the first part of the Cleanfeed session (before the momentary Internet blackout) was completely lost.
#Sound siphon vs loopback pro
Even though I was disconnected and then reconnected to the Cleanfeed session (where Marina and Memo were still there awaiting me), the local Hindenburg Journalist Pro kept on recording both tracks continuously. Marina and Memo were forcibly combined on a single track on the backup recording, but that is much better than having no recording at all, which would have been the case otherwise, since during this interview I momentarily lost my connection due to an intermittent Internet service in a hotel room. You will see that the second track is set to record from the Opera (Cleanfeed) source.
#Sound siphon vs loopback software
I have covered Rogue Amoeba’s original Audio Hijack Pro software (now superseded by the shorter but even better Audio Hijack) and Fission.Īfter creating the virtual audio source from Opera/Cleanfeed as shown as in the prior section, one can select it by name in Hindenburg Journalist Pro. I prefer to avoid it in favor of a reliable commercial product like Sound Siphon from Static Z Software (which I own and use) or perhaps Loopback from Rogue Amoeba, which I don’t currently own. Uninstalling Sounflower is complex and requires at least one restart of the machine.
#Sound siphon vs loopback how to
Why I don’t use Soundflower and what I use insteadĪs I wrote in 2018 in How to install/update Hindenburg Journalist (Pro) without Soundflower, I avoid the floral software not due do any aversion to flowers, but due to its lack of paid support and reliability with each update of the macOS operating system. I am the first to recognize that the third point is a very picky issue to get the highest latitude with my own voice, but since I do the backup recording for the first two reasons, I might as well take advantage with the third. (The other voices recorded with Cleanfeed are limited to 16-bit resolution although may certainly be 48 kHz sampling frequency as I always have them.).
![sound siphon vs loopback sound siphon vs loopback](https://forums.pioneerdj.com/hc/article_attachments/360053313772/Loopback-SRT-New.png)
Depending upon the microphone or interface I am using in a given session (when I don’t have the RØDEcaster Pro), I can often let my own voice be recorded locally at 48 kHz (see ) and at 24-bit resolution (see my Understanding 24-bit vs 16-bit audio production & distribution from 2015) even though I don’t distribute at 24-bit.Even though it has happened very few times and apparently seems to be fixed either by Cleanfeed or by the Chrome browser, in the past there were occasions when the Cleanfeed recording was unusable even though our realtime connection was perfect throughout.(I’ll explain what I mean by 2-track rather than multitrack ahead in this article.) Unfortunately, I had lost the Cleanfeed recordings (which are done in the browser), but I was so glad I had the backup 2-track recording in Hindenburg Journalist Pro.
![sound siphon vs loopback sound siphon vs loopback](https://cdn.eazyauction.de/00/005cefd85466268f72d25786aa755d3e857f84fb83c2c3ad33a850cd1a86026e3d66ec6fe56b244e0ceb572e0d010f05/img/6fd6733e93814363191acadb2fd252037c9f0229.jpeg)
When i reconnected, fortunately my guests were still connected.
![sound siphon vs loopback sound siphon vs loopback](https://forums.pioneerdj.com/hc/article_attachments/360053196292/DDJ-1000-rekordbox-audio.png)
Even though it has only happened once in many Cleanfeed sessions I have recorded, once is enough: Once I lost my connection to the Cleanfeed server during an interview with two guests in different geographical locations.I like to do a 2-channel backup on the fly in Hindenburg Journalist Pro for three reasons:
#Sound siphon vs loopback trial
Why I like to do a backup recording on the flyįor those unfamiliar, my favorite multitrack audio editor for storytellers is Hindenburg Journalist Pro (covered in several articles, click here for a free 90-day trial followed by a discount). However, this new article is about how I do it when I am out of the studio and don’t have access to the RØDECaster Pro. I covered this in Integrating Cleanfeed, Hindenburg & RØDECaster Pro, illustrated below. I clarify that when I’m in the studio, I accomplish this with the RØDECaster Pro mixer (covered in several articles, Filmtools link). Above, a screenshot of a recent remote session I did with Cleanfeed, yet to be published.